Lintel

The identity system — the mark, the grades as the palette, and the rule that governs both

One rule,
one mark.

A chevron, a charcoal field, and two hot colors that are never allowed in the same component. The rule is the part worth copying; the mark is the part that identifies.

01The rule that governs everything below

The brand never spends the register's color

Most identity systems have one hot color and spend it on the logo. This one runs two, and the word Untested owns the second outright.

The claims this thesis leans on hardest have never been measured. If the design made those look as settled as the measured ones, the design would be lying on the argument's behalf. So the palette is split, and the split is enforced: vermilion marks structure, amber marks doubt, and they never appear in the same component.

The test is mechanical. If a choice makes an unproven claim look certain, the choice is wrong. That rule is why the month strip fills its eight build squares in soft white rather than amber, and why no amount of brand color is allowed to reach a graded claim.

Amber is spent on

  • The Untested chip, wherever a claim is unmeasured
  • Gap rows in the evidence register, and the filter that selects them
  • The panels that state what this project has not proved

Amber is never spent on

  • The mark, the wordmark, or anything else in the masthead
  • Section labels, focus rings, link hover, current-page state — those are vermilion
  • The eight build months in the strip — they are soft white, because they are what survives
  • Anything that would make a graded claim read stronger than its grade

02The mark

The chevron

A single flat silhouette — no outline, no gradient, no second color. It carries the name and nothing else, which is why it survives being small.

Mark at 96 pixels
96
Mark at 48 pixels
48
Mark at 28 pixels
28
Mark at 12 pixels
12 min
Favicon form
favicon

Proportion

200 × 87.31 grid
~2.3 : 1 landscape
never redrawn,
never stretched

Clear space

the upper bar’s
depth on all sides
nothing sits inside it

Minimum size

12px tall
below that, the
favicon form instead

Color

one flat fill
taken from currentColor
inherited, never
hand-picked

The mark carries no color of its own

The artwork of record is a single flat silhouette, vectorised to site/assets/lintel-mark.svg and inlined in the markup rather than loaded as an image, so it paints in currentColor and takes the accent from the stylesheet. That is not tidiness — it is the fix for a specific failure. When the accent moved from vermilion to amber, the mark did not move with it, and the identity shipped with a logo in one color and a system in another. A mark that holds no color of its own cannot drift from one again.

Correct use

  • Flat vermilion on the charcoal field
  • The deeper vermilion on a light plate, where contrast requires it
  • Beside the wordmark at matched cap height, with clear space respected
  • Alone, at favicon size, on the charcoal ground

Never

  • Outlined, gradient-filled, or given a second color
  • Rotated, sheared, or stretched off its proportion
  • Placed on a photograph without a solid ground behind it
  • Reproduced below 12px, where the inner cut closes up

03Lockup and ground

Vermilion on charcoal, deeper on the plate

Two grounds, and the mark deepens between them. Nothing else changes.

The mark deepens between grounds and nothing else changes. On charcoal it carries vermilion at 5.4:1; on a light plate it takes the deeper #A8321F at 6.2:1, because the lighter vermilion does not hold 4.5:1 against soft white. Neither is a second file: both boxes above are the same inlined silhouette, painting in currentColor.

04Color

Six colors, and one held in reserve

The palette is not a mood. Six colors carry the system, and a seventh is held back for the register alone. Every pair below is measured against its ground; nothing that carries type sits below 4.5:1.

Charcoal — the field

#0C0D0E
12 / 13 / 14
every page sits on it

Vermilion — structure

#F04C3A
240 / 76 / 58
5.4:1 on charcoal
the one accent

Soft white — type and plates

#F7F7F7
247 / 247 / 247
18.2:1 on charcoal

Slate grey — Confirmed

#798788
121 / 135 / 136
5.2:1 on charcoal
outlined, never a fill

Warm stone — Contested

#C0BA9A
192 / 186 / 154
9.9:1 on charcoal

Foundation black — panels

#202928
32 / 41 / 40
a surface, never type
13.9:1 holds soft white

Signal amber — Untested

#F5A524
245 / 165 / 36
9.5:1 on charcoal
reserved, not a brand color

Amber on a plate

#7A4E08
122 / 78 / 8
6.7:1 on soft white
the light-ground amber

Why the register is amber, and not red

The thesis borrows its engineering discipline from avionics rather than from web development — the sheet on donor discipline argues that at length. Safety-critical practice separates two states that ordinary design collapses into one color: red is failure, amber is unverified.

Every gap in this register is unverified, not failed. Nobody has measured the objective share of an American ordinance; nobody has run the Arizona records request. Those are open questions, and marking them in the color of failure would overstate them in exactly the direction the whole project exists to avoid. Amber is the accurate signal, and it carries 9.5:1 against the ground.

It is also why vermilion can be the brand color without collision. Vermilion marks structure — where you are, what opens a section, what a link will do — and it is barred from any component that carries a grade. The two never share a box, so a red on this site never means failure.

The grades, as components

Untested solid amber, the only filled chip in the set — nobody has measured it.
Confirmed outlined slate — a source exists and has been checked.
Supported outlined warm stone — evidence points this way, short of proof.
Contested dashed soft white — the literature disagrees with itself, visibly unsettled.

05Typography

Geist, and Geist Mono

One family for everything a person reads, one for everything a machine produced. The split is the argument again: prose is what humans compile by hand, monospace is what a computer can check.

AaBbCcDdEeFfGgHh
0123456789

Geist Mono — E-039 · UNTESTED · E-107 · 8 OF 32 · ±4.5:1

Display

Geist 640
clamp(3.2rem, 8.5vw, 7.5rem)
−0.04em · uppercase

Body

Geist 400
1.0625rem / 1.68
72ch measure

Label · data

Geist Mono 600
0.6875rem
+0.16em · uppercase

Scale

huge display against
tiny mono —
little in between

Both are self-hosted as variable woff2 in /fonts. The site makes no external requests of any kind, because a policymaker reading it from inside a government network is a target reader rather than an edge case.

06In use

What the system has to survive

Three tests, all of which this identity has failed at least once and now passes.

Print

The deck and the narrative
both print. Reveal states
and sticky panels are
overridden, not hidden.

No JavaScript

Every layer of the
architecture renders in
markup. Scripts only
move selection.

Offline · file://

No CDN, no analytics,
no font service.
Fonts and marks are
vendored.

Both themes

Carbon and plate.
Every pair re-measured
on the ground it
actually sits on.

Stated for the record. Lintel is a working name and no trademark or domain clearance has been run — which is not the same as no conflict. The identity above is versioned with the site and will change if clearance requires it. The reasoning behind every choice on this page, including what it replaced, is recorded internally rather than argued here. More on the name and the declared interest →
An alternative identity has been proposed and not adopted — the datum mark, as a sketch.